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Sam Brookes Announces New Album Black Feathers

Sam Brookes Announces New Album Black Feathers, Released 23rd October 2020, Go Slowly Records, & Shares First Single Ekarma

Sam Brookes - Photo-credit: Sarah Cresswell

Sam Brookes returns with the exquisite and disquieting new single and video Ekarma, the first track to be released from his forthcoming new album Black Feathers (out 23rd October 2020, Go Slowly Records).

Ekarma explores the inner strength found in periods of isolation weaved with dark but ultimately soothing memories of the ocean. Ekarma was inspired by a frightening childhood experience which saw Brookes nearly swept out to sea whilst swimming on a family holiday, too far from the shore to call for help. As he expands “I had this overwhelming feeling of fear that almost crippled me but I realised it was up to me to get myself back to shore. This memory often revisits me as an adult when I feel that I’m ‘too far from the shore’.”

Black Feathers is Sam Brookes first album in six years. It follows the critically acclaimed Kairos which was hailed as one of 2014’s stand-out albums by The Independent, and Brookes as a Breaking Act by Sunday Times Culture, with critics comparing his evocative and rich folk-tinged sound to the likes of Bon Iver and Jeff Buckley.

A lot happened in those six seemingly absent years, Sam Brookes lost his father and had a long-term relationship unravel, before losing a close friend. A relocation to the relative calm of Bristol followed with some time out to process before the experiences were slowly poured into the songs of Black Feathers, an album Brookes describes as “a mediation on grief.”

Despite, or perhaps because of, the album’s heartrendingly honest exploration of loss and heartbreak, and its undeniable undercurrent of turmoil, Black Feathers is a thing of exquisite beauty. There are glimmers of hope and light peeking through the darkness, a sense that the record takes the listener through the very heart of the pain but then out the other side, to a place of acceptance. As Brookes came to understand: “Grief visits you from time to time. It hurts and instinctively you want to fight it, but if you learn to hold it lightly then you can carry it with you, not as a burden but as a guide.”

Taking centre stage on Black Feathers is Brookes’ startling and emotive multi-octave vocal and his guitar, a stripped back approach that lends the album its intimate and confessional feel that at times recalls the stark emotional appeal of Laura Marling. On Falling fingerpicked acoustic guitar and softly brushed drums quietly soundtrack a gently rousing song essentially of acceptance, whereas 18 And Sleeping is an ode to giving oneself time.

However, Black Feathers is also an album of many layers, of subtle twists and turns, of pulsating simmering depth. Boasting an impressive ensemble, the record includes guests such as revered jazz pianist Neil Cowley, acclaimed fiddle player Sam Sweeney, and Ethan Johns – who has worked with Ray LaMontagne, Kings Of Leon, Laura Marling and more – making a rare appearance behind the drum kit.

There are moments of percussive vigour on the record which recall John Martyn’s Solid Air (Sinking Boats) whilst songs such as first single Ekarma and the dream-state album closing track The Sleeper touch on Thom Yorke’s more pensive and disquieting moments.

Then there are the tracks where the ensemble comes to life, songs such as the propulsive and expansive Into The Night, or the bitter-sweet folk-pop of Fools On Saturn. The stark and haunting title track Black Feathers takes us to a place of grief-afflicted sorrow, where Granite brings a subtle acoustic folk palette and mournful strings.

Brookes fully achieved his vision with Black Feathers, to create an album that “Transports the listener to a place of peace and openness, each song being a planet of emotion for you to explore, absorb or simply fall into.”